But then the turntable starts to move. Rigoletto is in three acts to an Italian libretto by Francesco Maria Piave based on the 1832 play Le roi s'amuse by Victor Hugo. But he had a major triumph this year as the Grand Inquisitor in Don Carlos and then Don Carlo with the company, and hes arguably in even finer form here as the deadly assassin. Arizona Opera officially announced its 2023/24 Season, featuring four opera productions including a World Premiere in Phoenix and Tucson, as well as the companys inauguralNew Works Festivalin Phoenix, and a new series of community concerts in Tucson. The second run of Bartlett Sher's new production of Verdi's Rigoletto stars baritone Quinn Kelsey in the title role, soprano Erin Morley as Gilda, mezzo-soprano Yulia Matochkina as Maddalena, tenor Stephen Costello as the Duke of Mantua, and bass Ante Jerkunica as Sparafucile. But he had a major triumph this year as the Grand Inquisitor in Don Carlos and then . For up-to-date casting go back to the previous page. 2022-23 Season 2023-24 Season In Cinemas At Home On Demand Radio Television Events Tickets 2023 ABT Tickets On Demand Visit Health and Safety Requirements Getting Here Daytime Access Accessibility Dining at the Met Tours What to Expect Exhibitions Discover Videos Podcasts Artists Articles Grinnell College will stream "Rigoletto" on Jan. 29 as part of the Met's 2021-22 Live in HD season. Even if the Duke is a thankless role dramatically, it's the perfect showcase for his elegant tenor. The character-driven chamber opera, a collaboration between acclaimed American composer Heggie and librettist Gene Scheer, based on a script by Terrence McNally, will be directed by Gary Briggle and presented at the Jungle Theater. Met Opera | April 22, 2023 . Instead, Feolas has greater weight and heft, especially in the middle range where she has brightness but also potency that cuts through. Feola was in equally fine voice, her warm lyric soprano on the cusp on womanhood. Please check if you entered the email address correctly. 2022-12-22 ANNOUNCEMENT Ekaterina Sannikova signs with TACT for General Management Let's hope that this marks the first of many Met visits for her, Bernheim, and Akhmetshina. In the Mets production, the action unfolds in Weimar Germany in the 1920s, a time and place with surprising parallels to the decadentand dangerousworld of the original setting. She performs regularly at the Moscow Easter Festival, St. Petersburgs Stars of the White Nights Festival, and has also appeared at the Edinburgh and Verbier Festivals. Of course, Scappucci has license to interpret those tempo indications as she sees fit. His first Gilda! His most-recent work on Broadway includes Tootsie, Kiss Me Kate, and My Fair Lady. Elsewhere this season, he sings Sarastro at the Vienna State Opera. Ella mi fu rapita is the tenors big moment, not only vocally, but also dramatically, allowing for a moment of potential contrast and depth. At the climactic La Maledizione he interpolated a high G flat and A flat, both delivered ferociously to end the night. GREAT PERFORMANCES AT THE MET "Rigoletto" premieres Friday, June 17 on PBS as part of #PBSForTheArts. Other recent highlights include Lauretta in Gianni Schicchi at the Bavarian State Opera, Norina in Don Pasquale and Adina in LElisir dAmore at La Scala, Fiorilla in Il Turco in Italiain Zurich, and Ilia in Idomeneo and Micala in Carmen in Rome. Verdi: Rigoletto: Directed by Gary Halvorson. The famous Act III quartet, Bella figlia dellamore, is an ingenious musical analysis of the diverging reactions of the four principals in the same moment: The Dukes music rises with urgency and impatience, Gildas droops with disappointment, Rigolettos remains measured and paternal, while the promiscuous Maddalena is literally all over the place. If her high E flat at the end of act two was a touch effortful, she more than made up for it with some ravishingly soft singing in the final scene. and bright color palettes that have served him best in Rossini comedies at the Met are also on display. Its handsome sets and costumes drew an appreciative gasp from the audience, and the revolving set kept the action moving smoothly. He made his Met debut in 2007 as Arturo in Lucia di Lammermoor, with other roles for the company including Camille de Rosillon in The Merry Widow, Lord Percy in Anna Bolena, Romo in Romo et Juliette, and Alfredo Germont in La Traviata. Once a seeming fixture with the company throughout the early 2000s, he stopped appearing after the 2016 season. And instead of doing the predictable crescendo from Vieni, e senti to the high B flat on palpitar, Bernheim actually diminuendoed the phrases, luring us in, before springing the high note with an even more intense forte, emphasizing the Dukes manipulative game. He punctuated the duet with an incredibly potent low F that he sustained while walking off stage all the way through the coda of the passage. His voice works beautifully in the acoustic of the Met, filling the auditorium with rich, golden tone, which he is able to bring down to a mere thread of sound. Giuseppe Verdi's Rigoletto December 31, 2021 January 4, 7, 11, 15e, 19, 22e, 25, & 29m, 2022 May 28e, 2022 June 1, 4e, 8, & 11e, 2022 Creative Team Production: Bartlett Sher Scenic Designer: Michael Yeargan Costume Designer: Catherine Zuber Lighting Designer: Donald Holder Cast Conductor: Daniele Rustioni / Karen Kamensek He also holds a dual bachelors from Hofstra University in Film Production and Journalism. The strength of the cast extended all the way to the smaller roles, with Bradley Garvin, terrifying and commanding as Monterone, and Brittany Renee, displaying a megawatt charisma as Countess Ceprano, as the standouts. It provided a seamless transition into the Piangi, with Kelsey crescendoing from the C natural into the ensuing D flat. He does manage some darker tableaus to fit with the general mood of Rigoletto, but he also relies heavily on the now cliched turntable that so many directors have aped repeatedly on the Met stage. Rigoletto at the Met, Spring Cast May 2, 2013. . Rigoletto, a cursed court jester of the lustful Duke of Mantua, obsessively protects his daughter, Gilda. But when he commenced Deh, non parlare al misero, his voice took on a honeyed hue full of yearning. Russian soprano Kristina Mkhitaryan makes her Met role debut as Gilda. Companies. For its first staging of the opera in 17 years, the Met assembled a superb cast which combined with the Metropolitan Opera Chorus and Orchestra under the baton of Yannick . Rigoletto Levine; Eda-Pierre, Jones, Pavarotti, Quilico, Berberian Watch Now Standard Definition Video VerdiNov 7, 1977 Rigoletto Levine; Cotrubas, Jones, Domingo, MacNeil, Daz Watch Now Buy Tickets Rigolettois only available with a Met Opera on Demand subscription or rental. Continues through Jan. 29 with this cast and conductor at the Metropolitan Opera, Manhattan; metopera.org. A new 'guide' can help. Mozart's Idomeneo. April 5, 2022 at 11 a.m. Winter Park Library and Events Center 1052 W Morse Boulevard | Winter Park, FL 32789 . Anthony Tommasini is the chief classical music critic. 2022 Metropolitan Opera Wiener Staatsoper; 2021 Royal . It will help us make your newsletter content more useful. Gothic horror, magic and romance at the 2023 Savonlinna Opera Festival, At the helm of the world's most expensive opera house: Met General Manager Peter Gelb, From our French editor: ode to the diehards, Guilty pleasures: Yoncheva and Beczaa star in a new. Rigoletto is the ninth opera Bartlett Sher has directed at the Met. They met in 1979 in Rabe's home town of Vancouver, married five years . Keep up with all the latest news, arts and culture, and TV highlights from KPBS. The Met: Live in HD series is made possible by a generous grant from its founding sponsor, the Neubauer Family Foundation. Yet, somehow, Andante mosso agitato was decidedly faster than the Allegro Vivo. [June 4, 2022, Encore on June 8, 2022] Check out the entire Met Opera season! Quinn Kelsey and Rosa Feola as Gilda in a scene from Verdi's "Rigoletto." Premieres Friday, June 17, 2022 at 9 p.m. on KPBS 2 / On demand with PBS Video App Baritone Quinn Kelsey portrays the. In a remarkable career spanning six decades in the theater, Giuseppe Verdi (18131901) composed 26 operas, at least half of which are at the core of todays repertoire. He has served as principal conductor the Opra National de Lyon since 2017 and chief conductor of the Ulster Orchestra since 2019. She has performed many roles with the Paris Opera, including Ottone in LIncoronazione di Poppea, Isabella in LItaliana in Algeri, Ulrica in Un Ballo in Maschera, and the title role of Carmen and Olga in Eugene Onegin. As the passage drew to its conclusion, he thundered on the final Ah no, follia, the voice vibrant and powerful on the high E. More remarkable still was how contained Kelsey was on stage, and yet his body language expressed every one of these emotions. The Metropolitan Opera Announces 202324 Season, Review: Mets New LOHENGRIN Is Thrillingly Sung but Close Your Eyes and Listen, The 2023 George London Award Winners Are Announced; Five Young Opera Singers Win $12,000 Prize, Review: THE SAN DIEGO OPERA'S PUCCINI DUO at San Diego Civic Center Theater. The Royal Opera Season will open with a new production of Verdi's Rigoletto, directed by Oliver Mears, which will be his first production since becoming The Royal Opera's Director of Opera in 2017.The new production will receive its premiere in September 2021, with Music Director Antonio Pappano conducting. While she got off to a promising start during that Preludio, the string tremolos surging forward toward the fortissimo orchestral explosions, things started to get a bit hairy once the singers took the stage. During the ensuing scene with Gilda, he was fierce in his defense of Gilda, staring down the other men and ordering them out. Her body was full of fear and confusion as she ran about the turning table, women racing after her to undress her. 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